Federico Ciamei - How Can You Live In The Present When You Are 3000 Years Old? A personal view of history, traditions and identity in Italy

What is my relation to Italian tradition and culture? How can I tell you “Italy” without you immediately thinking of our past? How do we represent ourselves? Are we living in the present? How can we move forward when our traditions are so deeply rooted?

I want to explore the identity of Italy today, how our tradition and culture - deeply embedded within the society, are so strong to become a limit. To be creative, to make something new, you must fight against nostalgia and it can be really hard to do it in Italy, when everything around you is constantly reminding you of a greater past.I want to revisit and criticize visual stereotypes used to represent Italian culture. Needless to say that today the subject of national identity is also a political one, when being “Italian” gives you more rights, wealth and opportunities, and the nationalist parties are building legal walls to define and regulate what and who is Italian.

I want to approach the themes of traditions, history and identity both narratively and formally: - formally through photography, that is my language and my culture. I plan to approach photography searching for its limits and working on those. Ideally my photos will besuccessful if they will raise questions about their nature: “Am I looking at a photo or something else?”- narratively showing what the traditions are and telling some of the stories

This ongoing project is divided into 5 chapters: Capriccio, People Named Italo, Replica, Mamma and Pattuglia Acrobatica Nazionale.

Federico Ciamei (b. 1974 Roma, Italy) is an italian photographer currently based in Milano. In 2010 he got a BA in Industrial Design and Visual Communication at Sapienza University of Roma. He works as an editorial freelance photographer in collaboration with international magazines such as NY Times T Magazine and Travel+Leisure shooting mainly portraits, design and travel stories.

His practice as an artist focuses on the exploration of peoples’ desires and dreams: what drives us to search for something more than our basic needs and habits? How can art give purpose and meaning to our lives? His first book “Travel Without Moving” (Skinnerboox, 2016) features a collection of adventures of great explorers in the past, taken from their diaries and rebuilt through archives and original photos. The book has been selected for both the Arles Luma and the Kassel dummy awards in 2015.

He was selected for the 2018-2019 2nd Cycle of PARALLEL - European Photo Based Platform.

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EWA DOROSZENKO